Yosman Botero’s work explores the ways in which structures of power shape contemporary visual experience. Through images and objects that reference the domestic and the military, his pieces create tension between appearance and meaning.

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Influenced by the ideas of Eugeni Trías, his practice moves through an ambiguous space —between the beautiful and the unsettling— where perception inhabits an unstable threshold, inviting close observation of what appears familiar, and yet distant.

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His work spans painting, sculpture, installation, and video, proposing an experience that does not aim to represent the visible, but to unveil what remains hidden beneath the surface.